Odilia Rivera Santos 
On sabbatical, i rode trains past old neighborhoods and noises familiar and new. 
We met in secret cafés to speak of the past as if it were 
within reach 
at the very back of a cupboard. 
It wasn't quite. 
But it felt pleasant 
to sit there 
with you and recall 
what color your eyes were then 
and to see 
their color now 
and to try to match it all up
shades weathered by melancholy and fear
together, we speak of the not possible, 
the not feasible and 
look into each other's eyes 
all the while thinking this is it. 
It ends again but quietly this time. 
I am again the one you  see as foreign and too sensual.
It's that fixer-upper that costs too much to repair and instead is left to meld into the barren fields on which it was built.
time comes when we must identify the chaos makers 
who come into our lives with their multitude of dramas 
clanging 
behind them 
like cans at the back of a 'Just Married' car.
Walking away is difficult 
when to stand there tilling the soil brings some false belief 
about something I don't know - 
building new foundations
a three-card monty game that eludes me
and before i've captured the movements of this game, 
it's broken up 
and the confidence trickster
with accomplices in tow, 
is no where to be found

 
 
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